Bryan Campbell is an American artist who lives and works in Paris. Since 2008, he produces a multidisciplinary work blending image, graphic design, text and choreography. His performances handle the codes of visual culture, getting attached to the bodies and perceptions they involve and from which they are born. His projects are ingeniously queer, adventurous in their concept and beautiful. After studying at the Tisch School of the Arts in the University of New York and at the Salzburg Experimental Academy of Dance (SEAD), Bryan Campbell creates several pieces in New York, especially a solo series, Seven Activities of the Historical Object, and the quartet Hares of the Mountain, an order of the festival La MaMa Moves!. As a dancer, he is involved in the projects of Christopher Williams, David Parker, Sydney Skybetter and Gus Solomons Jr, among others. In the 2009/2010 session, he integrates EX.E.R.CE, a training and research program directed by Mathilde Monnier at the National Choreographic Center of Montpellier. During this period, he starts a research around the cartoon Mon Petit Poney and from this he produces the conference/performance Research for the Quadruped Protagonist, as well as the play Quadruped Protagonist. The presentation of these plays have made the ponies travel to the Théâtre de la Cité Internationale (Paris), to Beursschouwburg (Brussels), to Judson Church (New York), to the GogolFest (Kiev), to the KUNSTKOMPLEX (Wuppertal) and to the festival La [Déca]danse (Vanves). Simultaneously, Bryan Campbell continues his work as a performer with choreographers, collaborating with Loïc Touzé, Jana Unmüssig and Emmanuelle Huynh, among others.